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Silapathigaram - Kalalaya's 20th Anniversary

Samarpana - II - The next generation

Funded in part by Arts Council Silicon Valley
abc

Yuva Bharati chose to open this year’s summer season with three Bharatanatyam solos. The artists were Subhashini Rajagopal a student of the Smt. & Sri Dhananjayan, Mallika Malleswaran a student of Nirupama Vaidhyanathan and Siddharth Kelam a student of Sudershan and Padmaja Kelam.

Shubhashini began with Ganesha Vandanam, which is a traditional invocatory piece. Her expressive ability was showcased, when she performed a Varnam in praise of Lord Krishna. In her rendition of the Gajendra Moksham, Shubhanshini brought the various animals to life. She followed it with a Shabdam which presented her hold on abhinaya (expression) and a Keerthana which exhibited a series of graceful feminine poses. Though enjoyable, Shubhashini’s portion of the recital would have been enhanced with an item with strong footwork that is characteristic of Bharatanatyam.

Mallika entered the stage during the second item of the show where she performed Vanna Maadangal followed by Enna Thavam. This item celebrates Krishna birth and childhood. The level of expression that Mallika brought to the piece was remarkable. Sentiments such as wonderment, puzzlement, playfulness and happiness were easily illustrated through her facial expressions. During Mallika’s second appearance she presented a Padam on Lord Muruga, this item however, could not bring the same enchantment as Vanna Maadangal. After intermission Mallika picked up the pace with a Kavuthuvam in praise of Lord Siva. The highlight of this item was the use of sculpturesque poses interspersed with intricate footwork. Mallika ended the recital with a classic item Thillana, which finally allowed her to demonstrate her footwork ability. I was delighted to see Mallika perform because she truly looks like she is enjoying her time on stage, a rarity for many dancers. This is often overlooked but creates a lasting impact on the audience.

The last performer of the evening was Siddharth Kelam who traveled from Georgia to showcase his talent. Siddharth entered the stage late in the show and only performed two items which left us craving for more. Extraordinarily with just these two items he left a striking impression of his expertise in both expression and footwork. Siddharth’s first item was Kalinga Nartana. The music really set the stage even before he entered. When he did enter the stage it was unmistakable, as his powerful footwork resonated throughout the theater. Siddharth’s second item was a unique Varnam in praise of Hanuman. Through the choreography of this item, he explored various rhythm patterns. His movements were angular, calculated and precise, and on multiple occasions he was applauded for executing intricate footwork. During the Varnam he also exposed his ability to express emotions and take of the role of various characters.

At the end of the day we must not forget to congratulate Yuva Bharati on selection of the candidates. The organization continues to stick to its mission while entertaining audiences with fresh new talent.